
Five Americana Records We Couldn't Stop Replaying This Month
A short list, written in the spirit of the records themselves: unhurried, unbothered by streaming math, and worth sitting with twice.
An honest reckoning with craft, patience, and the publishing math that decides which catalogs survive a decade — and which songs are still bringing checks home in twenty years.
Read the full essay → The Quiet Discipline of Writing a Country Song That Lasts
From The Stem exists because the catalog of American music — the songs that get sung at weddings, funerals, and small-room bars — is built by independent writers, producers, and small-label teams who almost never get a fair-sized hearing in mainstream music press. We started this publication inside Mollohan Production Inc. because we kept running into great work that nobody was covering, and decided to build the room ourselves.
We are editorially independent from MPIArtist, the artist-development arm. When we cover a Mollohan Production or MPIArtist project, we say so plainly. Most of what we cover has no connection to us at all — and that's the point.

A short list, written in the spirit of the records themselves: unhurried, unbothered by streaming math, and worth sitting with twice.

How a generation of younger players is pulling the instrument out of the museum and back into the studio.

Four working writers on why the melody comes first — and what that does to a record's shelf life.

A practical breakdown of mic, preamp, compression, and the small EQ moves that separate a working vocal from a finished one.

Why the records that breathe almost always cost more in restraint than in tracks.

The $99 condenser that keeps ending up on the final vocal — and why we're not embarrassed about it.

The slow build is back. A look at how small labels are quietly winning the artists majors used to sign on instinct.

What gets done, what gets cut, and what just has to wait — month by month, from signing through the first single cycle.

Hard-won lessons from operators running rosters of three to twenty acts.

Tempo data tells one story; the audience is telling another. A look at what the slower cuts are doing to country radio.

A short history of when country rock decided to put the guitar back up front — and what that's doing to the new records.

Four exercises for writing a bridge that doesn't sound like every other bridge in the format.
Articles, field notes, one production tip, and one development idea. No press releases dressed up as news.
Joshua Mollohan — Editor-in-Chief
Founder, Mollohan Production Inc.
Maren Holloway — Senior Editor, Songcraft
Caleb Reyes — Staff Writer, Country & Country Rock
From The Stem — Staff byline for short-form work
From The Stem is published by Mollohan Production Inc. The publication shares a parent company with MPIArtist, our artist-development arm.
Editorial decisions are not coordinated with MPIArtist sales or signing activity. When we cover an MPIArtist project, we disclose it in the article.